英国论文代写：玻璃建筑
用玻璃作为一种艺术和建筑结构来展示玻璃的艺术是一种创新的尝试。然而，这个3000万的围场设计了一个复杂的设想。最低限度的设计意味着使用少量或建造，这样建筑就不会消耗更多的能源或其他物理资源。这一建筑虽然受到了批评，但还是取得了成功。
集成结构支持工作和架构本身。坎贝尔·休展示了空间的经验是如何被创造出来的，几乎没有玻璃外壳。空间概念在剧场中是一个重要的元素。这是因为舞台上展示的空间是复杂的。一个小的舞台必须被描绘成比它真正的东西更大的东西。从本质上来说，实现这一挑战意味着，更多的是用更少的东西来展示。在SANAA的作品中，情况也是如此。Niedermayr在与SANAA的合作中指出，空间的经验是由SANAA创建的，使用复杂的架构，一旦掌握就可以很简单。真正的空间体验是用眼镜创造的不是幻觉。在展馆的例子中，可以看到，玻璃结构是这样创造出了整个氛围。人们可以看到云彩，也能感觉到他们所在的大自然。在这一背景下，SANAA在展馆的建设中实际上混合了艺术和建筑。
在它的大部分结构中遵循极简主义的同时，也进行了一些关键的研讨会来分析同样的结果，指出有一些错误。在这样的研讨会上，来自萨那的Kazuyo Sejima注意到，在使用透明材料的过程中，所取得的空间质量已经完全实现。这确保了建筑的外观实际上比真正的(Wainwright)要高。
英国论文代写：玻璃建筑
Showcasing the art of glassmaking using glass as an art and architectural construct is an innovative attempt. However the 30 million-enclosure that was designed a complex enough envisioning. Minimalist design would have meant using little or building such that the construction will not use up more energy or other physical resources. This building achieves that despite the critics. Showcasing the art of glassmaking using glass as an art and architectural construct is an innovative attempt. However the 30 million-enclosure that was designed a complex enough envisioning. Minimalist design would have meant using little or building such that the construction will not use up more energy or other physical resources. This building achieves that despite the critics. integration of the structural support works and the architecture itself. Campbell Hugh presents how an experience of space is created with so little such as glass enclosures. The concept of space has been an important element in play theatres. This was because space to be shown on stage was a complex thing. A small stage has to be depicted as something bigger than what it really us. In essence achieving this challenge would mean, more has been shown with less. In the context of SANAA’s works this has also been the case. Niedermayr in his collaborations with SANAA indicates that the experience of space is created by SANAA using complex architecture which once mastered could be simple actually. The actual spatial experience is created is not illusion with glasses. In the case of the pavilion it can be seen that the glass structures so created bring in the entire ambience inside. People can view the clouds, and also feel the nature in which they are situated. In this context SANAA in its construction of the Pavilion has actually mixed art and architecture. While following minimalism in most of its constructions, critical workshops conducted to analyze the same indicate that there were some slips however. In such a workshop conference it was noted by Kazuyo Sejima from SANAA, that the quality of spaces that was achieved was completely done with the use of transparent materials. This ensured that the construction actually showed a more elevated appearance than really was (Wainwright).