06/11/2018

英国论文格式:女权主义艺术运动

英国论文格式:女权主义艺术运动

20世纪60年代,女权主义艺术运动伴随着公民权利和同性恋权利的运动,在反战示威浪潮中兴起。回到20世纪早期现代化运动中的乌托邦理想,艺术家们着眼于通过艺术形式改变周围的世界(Reckitt et al, 2001)。本文描述了女权主义艺术运动中的艺术家和他们的艺术,以及他们是如何帮助完成运动动机的。另一位著名的女权主义艺术家是玛莎·罗斯勒,她在1975年创造了黑色幽默的艺术,即《厨房的符号学》。她展示了多重厨房功能。在这幅画中,她只描绘了厨房的手工工具,因为她想让它类似于工具作为个人延伸的概念。另一位著名的艺术家是《吉维尼的野餐》(施普林格et al, 1996)中的Faith Ringgold。这位艺术家因其以被子为基础的故事而闻名,这些故事探讨了与性别和种族有关的主题,尤其是在艺术史领域。

英国论文格式:女权主义艺术运动
这位艺术家暗示,她成为女权主义艺术运动的一员是因为她不仅希望帮助其他女性,也希望帮助自己的女儿,并进一步激励自己去做一些不仅仅是生活在男性背后的事情。另一位受欢迎的艺术家是南希·斯佩罗,她是女权运动的重要组成部分。她在1976年所做的拼贴工作,即对妇女的酷刑(Reckitt et al, 2001),最初的结果是面对社会和政治性质的不公正。这幅画是在一个滚动的125英尺了各种组成的14个板,并结合文本和图像即初始人证词来自国际特赦组织的报告失踪女人或死亡的妇女,酷刑的定义和暴力的神话性质的事实。

英国论文格式:女权主义艺术运动

In the year 1960s, the Feminist art movement emerged amidst the anti-war demonstrations fervor along with movements of civil and queer rights. Moving back to the early 20th century utopian ideals amongst the modernized movements, the artists looked at changing the world surrounding them by form of art (Reckitt et al, 2001). This paper describes the artist from the feminist art movement and their art along with the way in which it helped in accomplishing the motive of the movement. Another famous feminist artist was Martha Rosler who created the darkly humorous art, namely, The Semiotics of the Kitchen in the year 1975. She demonstrated the multiple kitchen function. Within the painting, she only depicted hand tools of the kitchen as she wanted it to be similar to the notion of tool as the personal extension. Another famous artist was Faith Ringgold from the painting, The Picnic at Giverny (Springer et al, 1996). The artist has been famous for her quilt based stories which explored themes related to gender and race especially in the world of art history.

英国论文格式:女权主义艺术运动
The artist implied that she became an artist as a part of the feminist art movement because it was her desire to not only help other women but also her daughters and further inspire her own self towards something that has more than only living behind a male. Another popular artist was Nancy Spero who was an essential part of the feminist movement. She initially resulted in confronting the injustices of social and political nature with the collage work that she did in the year 1976, namely, Torture of women (Reckitt et al, 2001). The painting was on a scroll of 125 feet consisting of 14 panels which took various years to be made and combined text and also image namely, initial person testimonies taken from the reports of Amnesty International about missing woman or dead women, torture definitions and violent facts of mythological nature.

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