根据澳大利亚的浪漫和古典戏剧，在18世纪，这两种音乐的美感和清晰度都非常独特。澳大利亚最著名的音乐家，如小提琴家雷切尔·贝斯利、指挥和教育家理查德·吉尔·奥和克拉伦斯王尼·范·布鲁根等都在音乐教育的音乐平台上做了大量的宣传，并在18、19世纪的音乐教育中给观众带来了极大的启发。那些著名的音乐家在过去的时间里开始了浪漫和古典的管弦乐队，这是澳大利亚最闪亮最明亮的管弦乐队。
他们还希望这个激动人心的年轻管弦乐队能在未来的岁月里继续他们的音乐革命。在澳大利亚领土上发表的《焦点》杂志上，澳大利亚的音乐景观在古典和浪漫的游戏平台上变得更加重要。那些著名的音乐家和其他音乐家相信古典和浪漫的戏剧一定会激发出极具影响力的时期的组成。古典音乐根植于西方音乐的世俗和礼拜传统，从13世纪开始，它涵盖了广泛的时间跨度，并且在1550年和1890年之间发生了冲突。
As per the Australian romantic and classical play, the beauty and the clarity of both the music were very much unique during the 18th century. Australian most renowned musicians such as violinist Rachel Bessley, conductor and educator Richard Gill AO and clarinetist Nicole Van Bruggen were drastically and extensively inspired the musical platform in educating music and how to enlighten the audiences especially during the 18th and 19th centuries. Those renowned musicians had started the romantic and classical orchestra in the past time, which was Australia’s shiniest and brightest orchestra.
They also hoped that the exciting young orchestra would maintain to carry out their musical revolution in the years to come. As per the Limelight magazine that was published in the Australian territories, the Australian musical landscape had become more important in the classical and romantic play platform. Those famous musicians and other musicians believed that the classical and romantic play surely inspire the composition of highly influential periods. Classical music was rooted in the secular and liturgical tradition of Western music, which encompassed a broad span of time from the 13th century, and has become conflicted between 1550, and 1890.