07/05/2019

推荐信代写:《赵氏孤儿》的国际影响力

推荐信代写:《赵氏孤儿》的国际影响力

初出茅庐的作家约瑟夫·德·普雷梅尔翻译了《赵氏孤儿》的部分作品。西方对中国人的文化和戏剧性有一种迷恋。这种戏剧性是许多著名学者和艺术赞助人移居中国的原因。他们被中国文化迷住了,想了解中国文化。《赵氏孤儿》是伏尔泰重新创作的一部有趣的改编作品。中国孤儿故事在西方被概括为中国文化美德和价值观的典范。这在西方社会很受欢迎。它影响了法国戏剧界,最终影响了整个欧洲戏剧界。在这部改编作品中,他加入了新的爱情主题,并对中国的美德赞不绝口。为了让欧洲观众更感兴趣,影片在故事情节中加入了某些元素。这使得这个故事获得了国际上的认可,并在社会上得到了中国艺术界更多的资助。
下面描述了对故事情节中事件的批判性分析。本节将对文学技术方面、文化主题和政治意识形态进行比较分析。下面将对故事情节中的元素进行更详细的介绍。在原著中,纪俊祥把这部剧称为“赵氏孤儿的伟大复仇”。故事被归类为杂剧体裁的框架。这个故事的中心主题是“复仇”。元杂剧是一种诗性的音乐戏剧,通常有四幕。它是一组伴随着一定的音乐模式发展的歌曲。有两个楔形中的一个被认为是较短的间隔期。影片中有对“咏叹调”主题的刻画。在这里,角色被添加到支持或增强故事情节。在故事中有节奏模式的伴随旋律。故事的主要部分使一个表演者能够表演这些事件。许多明星球员都是在这一制度下发展起来的。

推荐信代写:《赵氏孤儿》的国际影响力

Fresh writer Joseph de Premare translated some of the works of “Orphan of Zhao”. There was a fascination in the west about the culture and dramaturgy of the Chinese. This dramaturgy was the reason why many eminent scholars and art patrons moved to China. They were enamored by the Chinese culture and wanted to learn about the culture. “The Orphan of Zhao” was an interesting adaptation that was recreated by Voltaire. The Chinese orphan story was epitomized in the west as the paradigm of Chinese culture virtues and values. This was well received in the western communities. It influenced the French dramaturgy and eventually the entire European Drama circle. He had added newer love themes and lauded the Chinese virtues even more in this adaptation. There is maneuvering of certain elements in the storyline to make it more interesting to the European audience. This had enabled the story to gain international recognition and more patrons to the Chinese art community in the society.
Critical analysis of the events in the story line have been portrayed in the following. In this section there will be a comparative analysis of the literary technical aspects, cultural themes and political ideology. There will be a more detailed approach to the elements in the storyline in the following.In the original person Ji Junxiang had termed the play “The Great Revenge of the Orphan of Zhao”. The story has been classified as the Zaju genre of frame. In this story the central theme is “revenge”. The Yuan Zaju was poetic music drama that usually has four acts. It is a set of songs followed by certain modal progression of the music. There are one of two wedges that are considered to be shorter interludes. There is the portrayal of the movie to the “aria” theme. In this the characters are added to support or enhance the story plot. Within the story there are the accompanying tunes of rhythmic patterns. There were major portions of the story that enabled a single performer to enact the events. A number of stars players were developed during this regime.

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