英国代写多少钱：贝克特的《等待戈多》。贝克特是一位大胆的戏剧家，他致力于研究文学前辈的技术方面。贝克特的著名传记作家迈克尔·迈耶(Michael Mayer)注意到，贝克特创造性地将客观性、口语化的对话和紧凑的情节结构这三个基本要素结合在一起。贝克特发展他的背景、叙述和人物的方式确实是一个里程碑式的突破。《等待戈多》本质上是浸透了讽刺社会空虚与虚伪的现实主义精神。接下来英国代写论文专家将为同学们介绍下贝克特的《等待戈多》。
《等待戈多》是存在主义危机的标志性文本之一，讲述了弗拉基米尔和爱斯特拉冈永远等待一个叫戈多的人的到来，以及萦绕在人类生活中的可怕的黑暗。在战火纷飞的欧洲，这出戏引发了一些引领潮流的戏剧思想。它的灵感来自易卜生的荒诞派戏剧。等待戈多的结构是静态的——既没有冲突，也没有结论。把流浪汉作为老套的角色，使观众立即意识到人物的困境。它们的对话本质上反映了人类存在的否定作用，具有隐喻意义的层次性。随着剧情的展开，观众将面对宗教、上帝的存在、人类存在的有效性和人类生命的终极目标等相互矛盾的问题。现代戏剧的策略是通过戏剧冲突的缺失来诱发观众的思想冲突。与早期戏剧过分华丽和图形设置相反，贝克特隐藏在极简主义传统。metatheatre的使用有助于根据现实主义加强主题重点。在这出戏的一开始，观众看到的只是一棵孤零零的树。故事发生在一个“无处”的地方，象征着人类存在、身份和存在的焦虑的朦胧。该剧的超戏剧范式将通过舞台设置、主题焦点、对话、自言自语和隐喻意义来实现。值得注意的是，超大剧院的概念是随着时代的发展而发展起来的。
《等待戈多》本质上是浸透了讽刺社会空虚与虚伪的现实主义精神。梅耶指出，他的戏剧不仅是整个社会的一种沟通媒介，而且也体现和拷问了社会的大多数流行思想。他讽刺了传统的浪漫主义文学世界观，向观众呈现了一个令人不安的现实。他小心翼翼地使用他的戏剧媒介来揭露和批判道德价值的空洞，人类存在的虚无，生存的斗争，最终的生命真理，以及在这个萨特宇宙的外星平台上对身份的无休止的寻找。事实上，詹姆斯•乔伊斯(James Joyce)对贝克特的评价是正确的:他很可能“在现代思想世界中拥有一个坚实的帝国”。
Waiting for Godot is one of the iconic texts of the existential crisis and the gruesome obscurity that haunts the human existence as Vladimir and Estragon eternally wait for the arrival of someone named Godot. In war ripped Europe, the play initiated some of the trendsetting theatrical ideas. It was inspired by Ibsen’s Theatre of the Absurd that dealt in absurdist fiction. The structure of Waiting for Godot is static—it has neither conflict nor conclusion. The employment of the tramps as the stock characters helps the audience in immediately realising the predicament of the characters. Their dialogues essentially reflect the nullifying effects of human existence and are layered with metaphorical significance. As the play unfolds, the audiences are made to face conflicting questions on religion, the existence of God, the validity of human existence, and the ultimate aim of human life. It is the strategy of the modern drama to induce an intellectual conflict in the mind of the audiences through the absence of the theatrical conflicts. As opposed to the over-ornate and graphics setting of the earlier dramas, Beckett belied in the minimalistic tradition. The employment of metatheatre helps in reinforcing the thematic focus in the light of realism. In the opening scene of the play, the audiences are presented with nothing but a dismal tree standing in the middle of nowhere. The action takes place in the middle of ‘nowhere’, which stands symbolic of the obscurity of human existence, identity, and of the existential angst. The metatheatrical paradigms of the play are to be realised in terms of the stage setting, thematic focus, dialogues, soliloquies and metaphorical significations. It is to be noted that the idea of the metatheatre has evolved over the ages.
Waiting for Godot was essentially infused in the spirit of realism that satires the void and hypocrisy of the society. His plays, as noted by Mayer, were not just a medium of communication on the society at large, but it also manifested and interrogated most of the prevalent ideas of the society. He satires the traditional romantic worldview of literature and presented the audiences with a rather disturbing reality. He carefully used his theatrical mediums to expose and criticise the void moral values, nothingness of human existence, the existential struggle for the ultimate truth of life and an endless search of an identity on this alien platform of the Sartrean universe. In fact, James Joyce had rightly commented on Beckett that it is probably him who had held “a firm empire over the thinking world in the modern times”.
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