英国历史学论文代写：版式是一个复杂的艺术单元
版式就是这样一个艺术单元，它包含了许多复杂的东西。因此，它通常被认为是一项无聊的活动。字体设计(Typographische Monasblatter, TM)是1972年至1973年期间制作的封面设计，标志着印刷术世界中人们的态度发生了变化。印刷术的解释是在平面设计的帮助下完成的。该研究讨论了与1972-73年出版的《泰晤士报》版式设计相关的问题。有一个深入的分析印刷封面和改革在世界上的印刷遵循同样。印刷术(Typographische Monatsblatter, TM)是帮助向国际观众揭示瑞士印刷术现象的最重要的期刊之一(Weidner, 1974)。
英国历史学论文代写：版式是一个复杂的艺术单元
这是一个这样的纪念碑，有大量的元素在印刷和平面设计领域。其中包括一些最具影响力的设计。1960年至1990年可能对应于过渡期(Huh, 2012)。这一阶段的封面设计很受欢迎(Tschichold, 1973)。在版式设计方面，出现了一些新的平面设计并得到了体现。同样的帮助，人们可以更好的理解1972年及以后平面设计的发展。字体设计最显著的特点之一就是它的封面。印刷术的封面设计恰当地表达了人们对这一时期的态度和关注(阅读ASB, 2002)。1972年设计的字体总集包括“银色墨水和台阶敲除”为基础的封面，看起来既活泼又非传统。
英国历史学论文代写：版式是一个复杂的艺术单元
Typography is one such unit of art which includes a lot of complexities. Thus, it is generally regarded as a boring activity. Typographische Monasblatter (TM) was a design of the covers done during the times of 1972-73, which marked a difference of attitude of people in the world of typography. The explanations of typography were done with the help of graphic designed. The research discusses the questions related to the covers of Typographische Monasblatter, published during the times of 1972-73. There is an in-depth analysis of the typographic covers and the reforms in the world of typography following the same. Typographische Monatsblätter (TM) is one of the most essential journals which helped in unrevealing the phenomenon of Swiss typography to the international audience (Weidner, 1974).
英国历史学论文代写：版式是一个复杂的艺术单元
This was one such monument that there have been a large number of elements in the domain of typography and graphic design. The contributors of these included some of the most influential designs. The years from 1960 to 1990 may correspond to the time period of transition (Huh, 2012). The cover designs during this phase were popular (Tschichold, 1973). In Typographische Monasblatter, a number of new graphic designs were emerged and manifested. With the help of the same, one can have a better understanding of the development of the graphic design during the times of 1972 and above. One of the most prominent aspects of Typographische Monasblatter was its covers. The cover designs of Typographische Monasblatter give the proper indication of the attitudes and the concerns which were related to this period (Readings ASB, 2002). The typographic general designed in the year 1972 consisted of the ‘silver ink and stair step knockouts’ based covers which looked both zippy and unconventional.