英文论文润色：电影表达的意义
这部电影的制作有很多方面可以提前进行。这些只有在电影被全面观看之后才能进入画面。导演和制片人都专注于确保电影描绘的是意识形态和结构之间的关系。这部电影的一贯重要性来自于对妇女斗争、劳动力斗争和少数民族斗争的罕见的融合尝试(Strobel 146)。部门斗争问题对女性主义、少数民族、民族主义观点及其与阶级斗争的关系具有依赖性。在政治性质的运动中，这种观念一直是争论的原因。这部电影的制作并没有提出社会科学的概念，而是强调了一种罕见的艺术形式。它没有沉溺于分析斗争的相互作用，而是集中呈现了这种相互作用。
在忽略了这些与优先级的斗争，电影考虑到了他们不安的生活为基础的当代性。在电影中，这样的斗争有时会导致融合，有时又会不断地发生冲突。在它们具有冲突性质的情况下，采矿界就彼此区别开来。在发生聚合的地方，存在着统一(威尔逊和黛博拉47)。电影作为一种叙事性和视觉性结构的力量，很大程度上来自于对这种统一性和分裂性的冲突和趋同模式的运用和认同。这种格局本身反映了该地区和那个投机时期的社会力量的争夺。这部电影的制作在于，它有助于描述劳动力和管理层之间不可避免的对立，描绘英美两国之间紧张的漫长历史。这部作品还描绘了最近男女之间更为紧张的关系。
英文论文润色：电影表达的意义
There are various aspects of production about the film that can be brought forward. These come into picture only after the film has been comprehensively viewed. The director and the producer have focused on ensuring that the film depicts a relationship between ideology and the structure. The consistent importance of the film arises from the rare attempt made for integrating the women struggles, the struggles of working force and that of the ethnic minority (Strobel 146). The problem of sector struggles had dependency over feminism, ethnic minorities, the nationalistic perspective and their relationship with the struggle of class. Such notions have always been a cause for argument in movements of political nature. The film’s production is not something that brings forward social science conceptions rather it looks at highlighting a rare form of art. It does not indulge in analyzing the struggles interaction rather it centrally presents such interaction.
In ignoring to assign these struggles with priorities, the film takes into consideration their uneasy life based contemporaneousness. In the film, at times, such struggles result in converging and coalescing while at other times they are in constant conflict with each other. In situations where they have a conflicting nature, the mining community becomes distinguished with one another. In places where convergence takes place, there is existence of unity (Wilson and Deborah 47). The power of the film as a narration and structure of visual nature largely comes from the use and acknowledgement of such conflict and convergence patterns with regard to unity and division. Such a pattern reflects in itself the social forces contention of that region and of that speculative time period. The production in the film is that it helps in depicting antagonism of inevitable nature between work forces and management depicting the tensed long history between Anglo and Mexican Americans. The production also depicts the even more recent tension between men and women.